Grandma's Henri Rosseau Prints

Henri Julien Félix Rousseau (May 21, 1844 – September 2, 1910) was a French Post-Impressionist painter in the Naive or Primitive manner. He is also known as Le Douanier (the customs officer) after his place of employment. Ridiculed during his life, he came to be recognized as a self-taught genius whose works are of high artistic quality.

He was born in Laval in the Loire Valley into the family of a tinsmith. He worked for a lawyer and studied law, but "attempted a small perjury and sought refuge in the army," serving for four years, starting in 1863. With his father's death, Rousseau moved to Paris in 1868 to support his widowed mother as a government employee. With his new job in hand, in 1869 he started a relationship with a cabinetmaker's daughter, Clemence Boitard. In 1871, he was promoted to the toll collector's office in Paris as a tax collector. He started painting seriously in his early forties, and by age 49 he retired from his job to work on his art.

Rousseau claimed he had "no teacher other than nature", although he admitted he had received "some advice" from two established Academic painters, Félix Auguste-Clément and Jean-Léon Gérôme. Essentially he was self-taught and is considered to be a naive or primitive painter.

His best known paintings depict jungle scenes, even though he never left France or saw a jungle. Stories spread by admirers that his army service included the French expeditionary force to Mexico are unfounded. His inspiration came from illustrated books and the botanical gardens in Paris, as well as tableaux of "taxidermified" wild animals. He had also met soldiers, during his term of service, who had survived the French expedition to Mexico and listened to their stories of the subtropical country they had encountered. To the critic Arsène Alexandre, he described his frequent visits to the Jardin des Plantes: "When I go into the glass houses and I see the strange plants of exotic lands, it seems to me that I enter into a dream." Along with his exotic scenes there was a concurrent output of smaller topographical images of the city and its suburbs. He claimed to have invented a new genre of portrait landscape, which he achieved by starting a painting with a view such as a favorite part of the city, and then depicting a person in the foreground.

The Repast of the Lion, circa 1907, He painted in layers — starting with a sky in the background and ending with animals or people in the foreground. The rain in Tiger in a Tropical Storm (Surprised!) of 1891 (National Gallery, London) is achieved in an innovative way with thin light gray strands of paint slanting across the canvas with a glaze or varnish. The effect was influenced by the artist's "lifelong admiration for the satiny finishes of Bouguereau". When Rousseau painted jungles he could use over 50 varieties of green. Although derived from nature, his foliage is adapted to his artistic needs and no longer recognizable as particular plants.

He worked on each painting for a considerable length of time and consequently his œuvre is not extensive. Rousseau used a student grade of paint because of his financial limitations. In some paintings certain areas of overpainting, e.g. foreground foliage, are now badly cracked, due to incorrect technical procedure (although this is not uncommon in oil painting and can be seen in works by Matisse and Picasso).

Rousseau's naive style gave him many critics: people often were shocked by his work or ridiculed it. His ingenuousness was extreme, and he was not aware that establishment artists considered him untutored. He always aspired, in vain, to conventional acceptance. Many observers commented that he painted like a child and did not know what he was doing, but the work shows sophistication in his particular technique.

From 1886 he exhibited regularly in the Salon des Indépendants, and, although his work was not placed prominently, it drew an increasing following over the years. Tiger in a Tropical Storm (Surprised!) (see below) was exhibited in 1891, and Rousseau received his first serious review, when the young artist Félix Vallotton wrote: "His tiger surprising its prey ought not to be missed; it's the alpha and omega of painting." Yet it took more than a decade before Rousseau returned to depicting his vision of jungles.

In 1905 a large jungle scene The Hungry Lion Throws Itself on the Antelope was exhibited at the Salon des Indépendants near works by younger leading avant-garde artists such as Henri Matisse in what is now seen as the first showing of The Fauves. Rousseau's painting may even have influenced the naming of the Fauves. In 1907 he was commissioned by artist Robert Delaunay's mother, Berthe, Comtesse de Delaunay, to paint The Snake Charmer.

When Pablo Picasso happened upon a painting by Rousseau being sold on the street as a canvas to be painted over, the younger artist instantly recognized Rousseau's genius and went to meet him. In 1908 Picasso held a half serious, half burlesque banquet in his studio in Le Bateau-Lavoir in Rousseau's honor.

After Rousseau's retirement in 1893, he supplemented his small pension with part-time jobs and work such as playing a violin in the streets. He also worked briefly at Le Petit Journal, where he produced a number of its lurid covers.

Henri Rousseau died 2 September 1910 in the Hospital Necker in Paris. Seven friends stood at his grave in the Cimetière de Bagneux: the painters Paul Signac and Otiz de Zarate, Robert Delaunay and his wife SoniaTerk, the sculptor Brancusi, Rousseau's landlord Armand Queval and Guillaume Apollinaire who wrote the epitaph Brancusi put on the tombstone:

We salute you

Gentile Rousseau you can hear us

Delaunay his wife Monsieur Queval and myself

Let our luggage pass duty free through the gates of heaven

We will bring you brushes paints and canvas

That you may spend your sacred leisure in the

light of truth Painting

as you once did my portrait

Facing the stars

Rousseau's work exerted an "extensive influence ... on several generations of vanguard artists, starting with Picasso and including Léger, Beckmann and the Surrealists. Some of Picasso's abstract people resemble the "childish" style said to be in Rousseau's paintings, and the younger painter's Demoiselles d’Avignon, Smith wrote, is "a work that they surely influenced".

His work The Sleeping Gypsy (1897), which shows a lion musing over a sleeping woman in eerie moonlight, is one of the best-known works of the modern era. The science fiction book "The Island of Dr.Moreau" by H.G.Wells uses Rousseau's The Snake Charmer as its cover.  In 1911 a retrospective exhibition of Rousseau's works was shown at the Salon des Indépendants. His paintings were also shown at the first Blaue Reiter exhibition.

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